Battlefield Delirium

Written October 2002, minor edits for spelling only. I’m thinking of doing a rewrite for fun.

***

Billy jolted in bed as he awoke from his nightmare. He was running through a field with some other men, while wild bullets flew around him. He had seen a man, a little older than he, running beside him fall with red paint on his chest, or was it blood. He looked familiar, but he wasn’t able to see who it was, he didn’t really care either. The dream reminded him of the war that was going on, the same war that had robbed his brother Fred from him. As far as he knew, Fred was still alive, fighting somewhere against the Japanese. He didn’t care much though, he only hoped that he would get back soon so he wouldn’t have so many chores.

The reason Billy didn’t care much about Fred was simply because Fred wasn’t that nice. He had bullied him around a lot, especially when he was with his friends. Most of these incidents occurred when he was partying, and was usually drunk at those times. So life with Fred was hard but at the same time easier, easier in the sense that he had less chores.

Fred was a tall man, his skin tanned by countless hours of working on the farm. He had brown hair, which was now a buzz cut; well, that was how he had it the last time Billy saw him. He had been a pretty good student, although his grades were not outstanding. He hadn’t really planned to go to college; he just wanted to join the army and party on his vacations.

Billy wasn’t that much different, only that his grades were excellent and that he was not that tanned yet. He was more the nature type, hanging out with his buddies in the woods. He had always been very obedient and took his work seriously. But like most other kids, he wanted to fight for his country, but his parents did not allow him because they needed him on the farm.

Billy yawned. It was quiet, too quiet. Why was it so quiet? Mornings in rural Georgia were never this quiet. His parents would usually wake him up around this time to help with the chores, but no one had. Wait, what day was it? It was Sunday right? Yeah, they must be at church, but why would they leave him? Oh God! He was supposed to be signing up for the Army.

It was the middle of June of 1942 and the war hadn’t ended yet. His older brother was fighting somewhere in the Asian Theater. He grabbed his overalls, and boots and darted out of his bedroom. He flew down the stairs, almost falling. He was nervous, he didn’t know what would happen to him fighting for his country. Although he disliked his brother Fred, he hoped that they would be together. He also hoped that he could also be with some of his friends. Most of his friends had already joined and now his parents finally allowed him to join.

When he reached the kitchen, he found it empty, there wasn’t even food on the table, nothing. Where was Muffin? She was always around looking for something to eat. Stupid cat, she was too fat and lazy to go outside, so she had to be around somewhere. He sighed, opened the fridge and looked in. Empty. Nothing in the cupboards either, that was odd. He moaned. He was hungry, but he was going to have to go without food. If you were late to sign up, there would be a long line.

As he stepped out of the door, a small breeze brushed his face. His dream seemed to come back to him, but this time it was a little different. He found himself crouching in a dense jungle. Sweat was dripping all over his body; he was trying to quiet his loud breathing. He stood up to see what was going on, but couldn’t see much. It was very hot even though the sun barely passed through the foliage of the tropical trees. Right as he sighed with relief, a barrage of bullets whizzed by his head. Lunging to the ground, he finally came back to his senses. That was very odd he though, as a chill rand down his spine. Pushing the dream away, he got up and walked out briskly to the old family Ford that he had inherited. He took the key out his pocket and tried to turn the car on, but it didn’t start. He punched the dashboard and tried again, but to no avail. He sat there for a few minutes, thinking what he was going to do. He wasn’t going to waste his time with this, so he opened the door and began to run up the driveway.

He raced past rows of oaks and pines then took a short cut to the main road, maybe he could hitch a ride. He looped up just in time to see a parrot fly directly of him, then disappear into a palm tree. He stopped, a palm tree? He looked again, but there was no palm tree, there also was no parrot. He shook it off and continued running.

When he got to a hill, his swift run became a jog. This wasn’t normal, he had run up this hill plenty of times, and he could have done it at least twenty times a day, non-stop. His jog became a slow walk, and then he fell to the ground, why was he so tired?

As he lay there, he felt the ground start to shake. His heart began to pound, was it an earthquake? You usually don’t get earthquakes in this part of Georgia. He looked up the hill, and to his horror, he saw a huge tank roll over the rim, the red sun blazing forth from it, with a few American flags under it.

He gasped, what was going on?! A tank in his property? Suddenly his surroundings changed, the oaks and pines became tropical trees, the bush’s leaves became wide and elongated. He glanced at the tank, a stout man stood from a hole in the tank, with a machine gun in his hands. His face went pale as his eyes locked with the man’s. There was a short rattle.

The effects of battlefield delirium.

Memes, man

Reddit. The next frontier. Assuming you’re subscribed to the appropriate subreddits, of course. While browsing my front page I found a link to an article about the transformation of the preposition “because”. It’s brusque but it got me thinking, partly because it touched on a topic I’d been considering for some time. Additionally, my chancing upon this article coincided nicely, humorously, with an article my uncle sent me with the following headline: NFL Player Quits Because, You Know, Noam Chomsky. So I’m writing this now because, you know, fate.

There was one line by the author of the “because” article, Megan Garber, that led me back to memes and the new, ever evolving, lexicon of the internet. She stated that this new development in how we use because “[is] a usage … that is exceptionally bloggy and aggressively casual and implicitly ironic. And also highly adaptable.” This is the absolute essence of what these social media cultures are creating: incredibly efficient, pragmatic forms of communication that still manage to inform and engage in manners that are highly effective and chock-full of meaning.

This was the topic of an email conversation my uncle and I had earlier this year where he brought up the question of what this new internet culture, and by extension this new mode of communication, meant for actual, in real life (IRL) culture. He had just read Douglas Rushkoff’s newest book, Present Shock: When Everything Happens Now, and was impressed with Rushkoff’s theories on… well I don’t know because I haven’t actually read the book, so I’m just going to quote my uncle:

Rushkoff does a lot with how The Simpson’s, South Park, Family Guy make no attempt at all to follow a narrative but instead are all about references & cross referencing pop culture idioms, tropes, and memes. So couple that type of presentation to our obsessive use of the remote control device and we have this interactive participatory TV experience that for so many substitutes for real life. It’s like porn…how people would rather jerk off than have the real thing. What’s that about? When the simulation becomes more attractive than the actual? Yeah, how this unfolds in coming years should be mind blowing, right now it’s more interrupting or explosive or at least negatory…but you’re right it is the new framework from which creative potential will grow.

I’m including that last sentence because I’m a smug bastard, and since I’m lazy right now I’m going to quote my response:

Once you get in the realm of social media websites it’s not as lazy. Reddit is a good example of potential positive outgrowth from this cross-referential culture. I find reddit to be a forum of sorts that deals primarily with pop references, memes, and snide commentary. Depending on what subreddits you visit you’ll find a different culture, which is partly why reddit fascinates and enthralls me. Once you find the more mature crowds or subreddits you’ll notice that the interaction is not just about lame or worthless culture references. There is meaning and purpose behind what is said. As an example, something as silly as the “socially awkward awesome penguin” meme or any of its variations is in fact a very practical/functional way of exploring and critiquing social life. This quality of being able to condense complex ideas into quick, easily appreciated and interpreted images is what makes memes so wonderful. And they’re constantly evolving, in addition to new ones coming to life and others dying. Not only do memes have their own inherent properties that lend them certain meaningful cultural or perhaps even intellectual value, the manner in which the memes are delivered and then received by others can ultimately foster a very enlightening dialogue. The dialogue is always very curt, snide, a matter of constant “one-ups”, affirmations and counterarguments. This leads to a constant barrage of information where logic and intellect is rewarded (unless you go to 9gag where I’m pretty sure the population consists solely of preteens calling each other fags). The more time you spend involved with Internet culture the more “street smarts” you develop, by which I mean knowing what will be ridiculed or punished and won’t be. It’s not conformism, it really is a critical dialogue. On the other end it really is fascinating how an anonymous, online forum with little repercussions can also develop such strong mores. This is happening all over the Internet. Hell this IS the Internet. To respond to the author, I don’t think this is necessarily disconnecting people from the real world or supplanting the actual, if you will. It is becoming a part of the real world, and people are organically integrating online culture with offline culture in ways that aren’t worthless.

Reading back on what my uncle wrote, and my subsequent response, I see that I totally missed the point of what he was saying. (My diatribe was born of a singleminded need to assert my self-perceived brilliance by morphing the conversation into something palatable to myself.) But I include the former to provide context for the latter, the latter being directly relevant to Garber’s article.

This is an awkward ending…

I Write Like…

Back in 2012, in the days of my not-so-distant infancy, I happened upon a website called I Write Like that “analyzed” writing and determined which famous author it most closely resembled. Obviously, being an exceptional and exquisite writer of immeasurable intellect and culture, I decided to analyze something of my own, perfunctorily written for this most momentous of occasions. It went thusly:

I am a heavy hippopotamus basking in the afterglow of a raunchy orgy. Oh how gloriously satisfied I feel, how deeply in love I now am. With whom, I cannot say for there were far too many other revelers present. I suppose the heifer with the great behind was my favorite, but I cannot truthfully say. All in all it was a great spectacle that I am now entranced with; the mass of hard bodies frothing at their orifices with the fecundity of a spring morning. I will return to the memory of that wonderful time when I am seeking refuge from the assaults of reality.

Well if I dare say so myself… what glorious writing! Never had such perfection been achieved in the literary arts, nor since! Writing this beautiful could only come from the mind of a genius, a pained creative soul whose only means of escape was through the meticulous interweaving of language and imagery. This was truly a masterpiece for the ages, a work to be remembered and revered by all who came after.

Yet despite all of this you know what that damned website told me? That I wrote like H. G. Wells.

Cold War Mambo

​         The Cold War doesn’t mean a whole lot to me. At most it is an idea, or just an entry in some encyclopedic text. In fact when I think of that era of nuclear terror and social upheaval I guess I view it as some far off carnival. Indeed, there have been days that I wished I’d been present to take part in all of the movement and excitement. In my senior year English project in 2005, a retrospective of my life up until that point, I wrote of how I wished I could have been a grunt in Vietnam. The attraction I felt was the tragic heroism of those young men who were thrown into a foreign land to fight a war of abstractions, a war all too real to them. I guess I saw some form of poetry in it all, poetry that was absent in my present social reality.
​         But that was more a fantasy than anything else, no matter how much ethos the fantasy might have had. As I think more about the Cold War now and try to understand the way in which its currents course through my life, and what it all means to me, I find myself thinking of my father’s recent visit in September. To say he’s an interesting guy would be a disservice. He was born to a well-to-do family right as the fifties rolled around, both his parents radiologists, his mother a Catholic and his father, unbeknownst to the rest of the family until a few years ago, a Jew. From his days in his middle-class home he went through college, then lived as a hippy, ended up back in med school and finally settled into a life of global travel.
​         Here in New York, though, my dad and I are making our way down MacDougal Street to meet up with some old friends of his. I’m busily looking around at the sights when my focus is brought back to center by my dad letting out a whoop. Mark, one of his buds, is directly in front of us, a cane in his hand. My dad laughs, throws up his own cane with an “en garde” and they immediately start fencing. Without a clear winner and both of them chuckling I then follow them up to Jimmy’s apartment, another of my dad’s buds, and sit down with the three of them, drinking wine and bourbon and waiting for the wives to filter in. As I sit and listen it seems like they have suddenly left this world and returned to their years in San Francisco’s Haight-Ashbury, pulling me along with them. It’s one of those magical moments that lingers with me.
​         Mark and his wife Nel tell me they met my father when he walked in through their kitchen window with a “heey maan”, looking for some kitchen utensil. Both of them laugh as they say it aloud for me. Their Haight-Ashbury apartment would eventually become the focal point for their gang of counterculture peaceniks. My dad laughs and contests the recounting though.
​         “No that’s not exactly how it happened. I remember it clearly. I climbed up into the second story bedroom window, stuck my head in and saw both of you cowering in bed and holding each other tightly.” He breaks into more laughter and I’m of course doing the same, picturing my dad’s afro’d head looking in a stranger’s window in the middle of the night. It was definitely a different time back then.
​         As the night goes on and the conversation flows, it becomes more apparent to me that my dad and these friends are the only ones who really managed to move into a new life. They take turns bringing up names from their shared past, and again and again I hear names of people who never got over their habits, who passed, who withered away. I get the sense that while the fates of these other friends is saddening, there seems to be an unspoken acknowledgement that this is just how things are.
​         Among the named is Chuck, a rough guy who reportedly spent time in prison for murder. But as I listen to my father and his old friends talk about him one thing becomes immediately clear: despite Chuck’s history, the man was one of the greatest, most gentle friends they had. They all speak of him with deference. My dad tells me that he owes his current life to him.
​         ​”Chuck is the one who told me I had to go back to school,” my dad begins. “He didn’t want me sitting around, living his lifestyle forever.” My dad went back to medical school and managed to merge his countercultural ways with a traditional American life.
​         As the talk continues I discover that Jimmy, Nel’s older brother, is a talented photographer, but when I ask to see his photos he demurs.
​         “I didn’t really keep any, I’d just take the pictures and leave them.”
​         “I’ve had to collect them for safekeeping,” interjects Mark, “Otherwise they’d all be lost.”
​​         But what few photos Jimmy has kept are nothing short of iconic. He shows me a hazy picture of Mark, Nel, Nel’s sister, Chuck, and Chuck’s prostitute Native American girlfriend, all bunched up together on the floor, their backs propped lazily against a plain white wall, each one of them with the most serene look on their face.
​         “Why do you think they look so peaceful?” Jimmy asks excitedly, holding the picture for me to see.
​         “I dunno, they look high,” I say and am surprised by how childlike I feel.
​         “We were smoking opium,” Mark says.
​         “No man, I remember taking this photo. You guys were on quaaludes,” Jimmy shoots back, sparking a lighthearted argument as the old friends try to remember what exactly it was.
​         Jimmy then brings out a stack of photos, each mounted carefully on particleboard so that they are now tiles. As he arranges them on the floor he explains what each one represents, telling us how the entire series hinges on the theory of the dialectic, using the space, light, and mass of the Brooklyn Bridge’s architecture and art to tell the history of Manhattan, from its purchase to its modern state as a metropolis. My dad remembers Jimmy talking about the project in the mid seventies and is amazed to see it in its completion, now some forty odd years later. I’m left speechless. I feel like I’ve witnessed the creation of an expressionistic masterpiece and I can only think that it needs to be in a gallery.
​         Then there’s one particular photo that Jimmy took back in the gang’s Haight-Ashbury days, one that my father showed me only a few years ago. When I first met Jimmy here in New York, during a Rosh Hashanah dinner with him, his wife, and Mark and Nel’s family, I mentioned the photo, almost in passing. Immediately Jimmy perked up and in his excited manner began firing off questions.
​         ​”The photo of your dad and Chuck? The bald guy? They’re both standing there smiling, right?”
​         “Yeah,” I said, “It’s one of my favorite photos of my dad.”
​         “I took that photo! I thought it was lost! That’s the best photo I’ve ever taken, it really is. It’s the perfect moment!”
Jimmy began telling everyone about the day he took that photo and what it meant to him. The funny thing is that, ever since the first time I saw it, that particular photo immediately became incredibly meaningful to me as well. And as we sit in his Village apartment he tells us all the story again. I don’t get tired of hearing it.
​         Finally as we all part ways for the night Jimmy stops me.
​         “You know I’m the official unofficial historian for The White Horse Bar?” he tells me. He invites me to come back so he can give me the grand tour of the Village and show me where all the beat poets hung out. He has that same excited passion I feel coursing through myself now that I’m here in New York, wading around in what I must call the flotsam of the beat writers and punk musicians of yore. To find this enthusiasm alive and well in someone who was there, who knows how to recognize the debris and put it together, to have someone to bring it all back to life, is exhilarating.
It’s the same kind of excitement I felt on a recent trip home, where I found myself with my dad piling punk CD’s into my hands: X-Ray Spex, Ramones, Dead Kennedy’s, Talking Heads, the works. I also took a book titled “Please Kill Me” about the history of punk, written by punk. As I took the book from him and looked at all the punk CD’s, I wondered what impact it all had on him when it was actually happening.
​         “What’d you think of punk when it first came out?”
​         “I thought they were doing something great. I was disillusioned with the hippy movement. It had lost its meaning by then.” Then he pauses. “But I was older by then, and in San Francisco.” But even if he didn’t get to live alongside it he still gets to hold on to it.
​         So I think that, if I’m connected in any way to the Cold War, it isn’t through the guns or political bravado of that era but rather through legacy of its artistic movements. That is what is all bound up in who I am, passed down through my father, through his life experiences turned to stories, both told and untold. Passed to me through the decisions made in my rearing and the lessons taught, interests kindled. And somehow all of this has become enveloped in that single photo of my father and his old friend Chuck, a frozen moment that captures both an era passed and an era present, captured in my fathers timid smile, really only visible through his bespectacled eyes, reminding me that I am my father’s son and that somehow that makes me a part of all he has lived through, and he a part of everything I have yet to live through myself.

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Flittering Emotions

Flittering emotions,
Never still, always palpitating,
Agitated by the entwines of reality.
It is the fuel of my life,
That which keeps me standing
Walking
Breathing.
Torturing me,
Torturing myself,
And I suffer because of it.
But without it,
I would not survive.
How do I live?
Does the emotion balance out?
Or do I withdraw into a world
Which happens to be only a creation of my hellish mind.

So, unto thee, I say:

Give me the woodlands to trod upon,
And I will live in peace;

Give me the rivers and streams to listen to,
And I shall sleep in peace;

Give me the valleys and mountains to look upon,
And I shall wake in peace;

Give me the woodland creatures to accompany me,
And I shall think in peace;

But give me a rifle and a conflict,
And I shall die in peace.

3/15/04

Finally

Fiction is work. More work than it ought to be. The question then, is why is this so? Why the difficulties? For those who excel at a particular endeavor, for those who have a particular knack or propensity to engage in something successfully, why would it still be a struggle? Quite simply, in my case at least, it is because I am forcing something upon myself. I am imposing a standard model on what I want to do and attempting to write within its confines. Punk is what has brought this to light in my mind. It is what is allowing me to see that the true essence of who I am is born not in the contrived stories I pain over in order to please, but instead in the rambling essays that I choose to write as a means to air my grievances. Now I see that this fluid exposition of my being, in how I pour my every fiber into the words that are placed on the page, has to be translated to the fiction I create. I must dispense with creative control and allow for creative expression. I have a voice, I have a particular point of view, and regardless of its validity or intelligence I am going to scream it until your eardrums burst and you choose to thrash me with your belt. Because fuck you. And fuck me. But mostly you. I want, and always have wanted freedom. Freedom from myself, my self having been molded into a prison by the others, and now finally giving way to the beauty of irreverence. Others find genius in science, or music, or art. I find genius in writing. I am blinded by writing. Writing is my muse, my Aphrodite, my everything. I will never concede that there is anything more impactful, more profound, more true, than what writing is. Because writing is mine, and I am human and selfish, and what I know and adore is all that matters. No need to elaborate or elucidate. If you can’t read between the lines then you don’t belong. If you don’t understand that reading between the lines is actually feeling, well now I’m explaining. This is just the beginning. I want more, and I will have more, and if others won’t have it now then it’ll be had later, even if I’m dead. I don’t know what I’m doing. I only know that this is what I need.

My Face Is Like, Three Times Bigger Than Yours

I suppose I should start this with an explanation. I don’t normally review restaurants. In fact I don’t care to review restaurants, or at least I didn’t care to do so. But I found myself in a situation where it was necessary and I surprisingly jumped at the opportunity. This is because of an incident that transpired during my first weeks here in New York. I had just attended my graduate school’s orientation and the second year students offered to take the first years out to their regular watering holes. They first chose to take us to a nice, Parisian style establishment named Café Loup, I suppose since it seemed to be the most evocative of the writerly spirit. So we all made our way there en masse, guided by the tender prodding’s of our more experienced brethren. However the fact that we were all so excited to be finally involved with the program proved to be a point of contention for the staff of Café Loup. We were warned that if we did not quiet down we would not be served, followed shortly by a demand to pay our checks and vacate the premises.

Needless to say many of us were miffed by this. We were after all paying patrons who had a right to socialize with our compatriots. I, however, was incensed. I was so flippantly angry that I puffed up my chest and brazenly walked up to the man who had ejected us from the premises. Tapping his shoulder I made damn well sure we made eye contact and with the most indignant voice I could muster I told him, “Fuck you.” I then proceeded to storm out, foiled temporarily by a reticent door that consequently made me feel stupid. Damn door could have ruined the moment.

So when I found myself confronted by the option to write a review about a restaurant I immediately thought of Café Loup. What better opportunity to incite a hilariously disastrous dining experience than by returning to a place where the staff would undoubtedly remember me as the “fuck you” guy? What could go wrong? Well, everything. But that was exactly the point. Look, to put me in a mythological perspective, and to avoid the typical descriptions of “dick”, “POS”, “prick”, etc., I am the living embodiment of Loki. With mostly tamed social anxiety issues. But that’s beside the point. What is right on the point is how I failingly attempted to coax several ladies to dinner with me and then finally proceeded to cause what mayhem I could on my own. Aside from the absence of an oblivious date, the night was ripe for exploit.

Whether you believe me or not, I was not nervous. I was unclear on where exactly the café was and experienced a moment of shock when I found myself confronted suddenly by its ominous light blue awning; but again, I was not afraid. I will admit that I was a bit apprehensive entering the café as I expected to be yelled at and asked to leave, an outcome I had already decided to resist and force them to physically eject me from the premises as I yelled beautiful inanities.

But that wasn’t the case, unfortunately. I was met by a man who looked like he was prime for a midlife crisis, politely asking me if I would like a table. I was confused at first both by his pleasant approach and the fact that I initially took him for a customer. In any case I told him that I would rather eat at the bar since I was on my own. I don’t mind doing things on my own, but there’s no point in adding injury to insult. Yes, I meant to write it that way. Leave me alone.

What bothered me the most was the fact that the man who I had “Fuck You’d” did not appear to be present. Scanning the pleasantly lit dining room I only saw well-dressed baby boomers chatting over delicate plates of cuisine and glasses of wine. I took a moment to congratulate myself for dolling myself up for the occasion, otherwise I would have stood out like a cock in a bowl of noodles. But I was disappointed. Not having “Fuck You’d” man here essentially negated the entire point of coming. What was I to do now? Sit here, eat their food, drink their spirits, and then write a review about it? What a waste of life.

All that was left now was to sit at a fancily appointed bar and stare at myself in the mirror, which to an extent I was okay with. I wanted to make a few faces to pass the time but decided that the other patrons would not understand. Behind me, enveloping the old geezers properly picking at their orders, was the dining room. The entire space felt cozy with its low ceiling and dim lighting, an appropriately cultured soundtrack resonating softly as a final touch. I could see why these folks, who appeared to be regulars, liked coming here. This was as close to Paris as one could get beyond shelling out ones hard-earned money for a flight. What I could not understand, though, was how any of my classmates thought this would be a nice place to write. While a pleasant setting, Café Loup did not in any way seem to be conducive to creative inspiration. At least not in the way I imagined Henry Miller finding inspiration. Or Bukowski.

As I mused about the atmosphere and the copious amount of spirits on the shelf before me I suddenly realized that “Fuck You’d” man had appeared. For whatever reason he had stepped away from the bar, and now facing each other I could see a sudden moment of clarity in his mind. I imagined his internal dialogue going something like this: “Ah, another patron. Let me provide him with a menu and… oh great this prick!” I swear he took a double take, but he said nothing of the affair. I was slightly disappointed. I came for a scene, for some form of mild civil disobedience, or wait, I think it would have been more along the lines of unapologetic impropriety. Despite the fact that he had apparently recognized me, that I had the gall to return and put myself in a position that forced a confrontation, that I offered no apology or inkling of remorse, this good man handed me a menu and asked what I would like to drink.

So there I was waiting excitedly for him to yell at me as he had done to my compatriots before, and instead I was being served like all the other geezers around me. I would like to say that I felt relieved, but I wasn’t. Now I found myself in a position where I had to behave as an upstanding patron and actually order something. I had already come to terms with the fact that I was going to dish out a considerable amount of money, but to do so for a dinner void of excitement, well that was a travesty. Not only that, the bourgeois air was weighing so heavily on me that I now felt like I had to breathe it or suffocate. Therefore a proper dinner was in order.

The menu was quite sparse, to the point of my flipping it over to see if there were more options, which there weren’t. They did provide a “prix fixe” menu, which I took to mean “fixed price” by my modest deductive and French language abilities. For $32 I would be able to select an appetizer, an entrée, and a dessert, each consisting of three options. In a continued effort to find the diversity of their menu I proceeded to compare the prix fixe menu and the regular one. To my dismay the prix fixe menu consisted of select items from the regular menu, so that was that. I opted to go the $32 route, selecting a green salad with olive oil and cheese and a rotisserie style chicken with steamed vegetables. Noting that I was having trouble selecting what I wanted, “Fuck You’d” man kindly offered to bring the menu back after I had finished my entry so that I could select my desert.

To maintain the image of a moneyed, young professional, I decided to drink wine. Not knowing how to pair any of the wines (again, the selection was modest), I asked “Fuck You’d” man to offer a recommendation. My request was met with a flair of frustration; it was apparent to me that he did not really know how to pair wines himself. After looking pleadingly at another staff member he finally suggested a pinot grigio, but as I preferred red he then recommended a pinot noir. The only pinot noir on the list. My first impression of the wine was that it was far too acidic and light. As the night would wear on and as I began working on my second glass, however, I would end up changing my mind. He did fill my wine glass to the absolute brim both times, so at least that was consistent. And much appreciated.

Food having been ordered I found myself in the awkward position of not knowing what to do while I waited. I spent some considerable time stink-eyeing myself in the mirror and giving the other diners bored looks. A basket with three types of bread was eventually placed in front of me. I have no way of knowing what was what so I will call them white bread, wheat bread, and rye bread. They were all enjoyable in their own right, but what was delicious, almost a delicacy, was the butter. While not direct from the bovine it was light and sumptuous. The salad was much like the bread: tasty but not quite noteworthy. The greens were good and bitter, the olive oil was just right, but what was heavenly was the brie. I think it was brie.

To be honest the cheese threw me through a loop at first. Upon setting eyes on it I could feel the flood of endorphins in my brain. I instinctively thrust my fork towards it, ready to enjoy its creamy goodness. But as soon as my fork hit I found that it was rock solid. I was utterly confused and momentarily angered. Was this a beet? How in the world, why in the world, who would do such a thing? Is not a love of cheese a universal truth? Never mind the lactose intolerant. Hell my best friend is lactose intolerant but refuses to stop eating cheese, therefore making him the most hilariously gassy person I know. And he’s about to become a doctor.

Once my momentary rush of anger subsided I grabbed my knife and resigned myself to not having my brie. But as I cut it I noticed that it was crumbling in a manner that a beet would never do, at which point my hypothalamus lit up once again. It was brie! And lord, was it the most angelic brie I had ever had. I can only guess that my physical reaction to eating that brie, along with the arugula, was akin to the rush a heroin addict must feel as they shoot up. It was heavenly (I suppose it is now apparent that I have a particular affinity for the udder).

Once I had finished my salad and sampled the breads I was finally brought my piping hot entrée. And when I say piping hot, I mean nearly infernal. I spent a considerable amount of time blowing my meat and looking like an imbecile before I was able to put it in my mouth. Look, I am all for bringing out a customer’s food as quickly as possible. Nobody wants to wait. But to have to sit with your meal in front of you, waiting for it to cool down, teased by the luscious odors that waft up into your nostrils is cruel and unusual. Waiting to eat your cake is worse than not getting your cake at all.

To make matters worse was, when I finally managed to taste the chicken, what had once smelled delicious turned out to be overly sweet. It was cooked well (and definitely thoroughly) but lacked any intrigue. I cannot say how disappointed I was by it. The one item that was supposed to be sweet, the mashed sweet potatoes, was perfectly balanced with understated notes of sweetness. The mashed potatoes were equally enjoyable; they had a definite buttery note in the manner in which my father prepares them. Additionally there was steamed broccoli, cauliflower, carrots, and some other stem like vegetable that I failed to recognize. They all tasted like steamed vegetables and I nearly forgot to eat them.

Aside from the disappointing chicken there was also the issue of presentation. One would expect that an establishment that models itself on French customs would serve appropriately sized portions. What you receive at Café Loup are bastardized American portions, by which I mean that they pile an inordinate amount of food onto your plate. It was so bad that I had to dig through the mashed sweet potatoes and regular potatoes to find the vegetables. In fact my plate was so cluttered with the food that I am just now remembering that I also had another cooked sweet veggie on my plate, which was surprisingly good. I don’t know what it was. Ultimately the presentation was nothing short of a hodgepodge of forgettable edibles.

What was not forgettable was the peach tart “Fuck You’d” man suggested I try. Remember my love for the brie on the salad? That was close to my reaction to the tart. The tart was capped with a generous dollop of wonderfully light whip cream and ringed with blueberries, pineapple, kiwi, and strawberries. The final touch was a sprig of mint which I found, when broken apart and arrayed on the tart, made the peach tart orgasmic. The desert would have been a dream if it were not for the fact that I had been overloaded by an entrée I was unable to finish. Due to that massive entrée, I struggled to remain focused on the subtle deliciousness of the peach tart and my accompanying black coffee.

When one goes to an establishment to eat, the hope is to leave sated and ready to relax. A good establishment will make you happy to stay and digest the food comfortably, perhaps ordering a few aperitifs or coffees. That is the ideal. However this is not what I experienced at Café Loup. Sure there were some high notes, but by the time I got half way through my desert I was already feeling the itch to skedaddle. Nothing about what I had experienced left me feeling satisfied. I felt bloated and disappointed. By the food on both accounts, by the lack of havoc on the second account.

So what I had hoped would occur never came to fruition. After watching “Fuck You’d” man ring up my bill on the archaic cash register that I had thought was decorative, I introduced myself, offered my hand and an apology. The specifics were not mentioned, just that I was sorry for what I had said. I suppose I can now return without any concerns, but honestly I don’t think I care to.

ps: the title is referencing a gay couple that was obviously desperate to talk to me the entire time I was there. As I was getting to ready to leave they both very blatantly began staring at me, which I ignored in an equally blatant manner. After a considerable moment and an awkward silence between the two, one of the lovers said to the other, “My face is like, three times bigger than yours.” I tried hard not to laugh.

Thursday night blues

It’s 10PM when I finally respond to her text. She’s asking me when exactly I’m leaving on Saturday, probably to see if there’s any way we can see each other. We’ve been trying to find time to meet since we were last together a few days ago, but she works and I’m going home so it looks as if there will be a weeklong gap.

“This kinda sucks.” I text her as I near my stop.

“what?”

I’m unable to hear any inflection, so her response gives me pause. “Busy schedules and all.”

“yeahhh. come over now?”

We live exceedingly close to each other, and while I could very well walk I choose to take the train back one stop. There is something beautiful about being wanted like that, wanted to such a degree that she finds a way to get you over. And there’s something beautiful in the freedom of New York’s subway system. I’m on and off all day but never tire of the meandering purpose it gives me. No matter where I go or why, I always feel like I’m being taken somewhere important.

This sense of importance hasn’t quite given me an existential purpose though. Or at least a sense of purpose that I can hold onto without question. As I make my way to her place I realize that I’m still in a funk from the evening’s class. In class I find myself mute, flitting back and forth between internal musings and attempts at following the conversation. I want someone to stop and ask me what I’m thinking just so I can say that I have no clue what’s going on anymore. I think there’s some wisdom in that statement. It worries me that I can articulate so much, so effectively I imagine, through my writing yet fall dumb when in public. I don’t quite know what this means and I begin to wonder whether my sense of permanence as a writer is well founded. My anxiety is there of course but I can only blame it for so long, especially when I’m at a point where my confidence is near to overflowing. I suppose it’s burgeoning arrogance, not confidence.

This leaves me questioning what I’m doing with my writing; all of this self-exploration, and all of it in the public domain. I know that even if no one was to read these words I would still be punching them out. But this desire to examine every minute facet of my being, and to do so in a manner in which others can follow along, worries me a bit. It feels like the correct process, especially in those moments where I slip away from the world and find myself composing in my mind, the words flowing as easily as water. Still, what I’m composing isn’t literature, it’s this, what I have right here. The only redeeming factor, if it’s of any worth, is that it’s a small glimpse into the being of a developing writer, if in fact I am a writer and if in fact I am interesting enough to listen to. I don’t even know what worthwhile writing is. I only know what I feel, and I’m beginning to pour it out instead of letting it stew in my mind.

I’m reveling in this newfound freedom of expression because of how long I’ve lived in a personal shell. It helps that I believe I am somewhat capable as a writer, a belief fueled by hints from my peers and professors. Some say things outright, while others only in their behavior or fleeting exchanges that require a bit of interpretation. Part of what makes me wonder whether I am producing anything of worth is how some people appear to expect me to say things that validate my supposed writing abilities, yet I inevitably end up feeling like I have disappointed them in that regard. Many times I don’t have anything to say, and I discovered long ago that if I don’t have anything new or stimulating to add then I’d rather stay quiet. Too many people interject in conversations just so that they will have said something. To make matters worse, I can sit in class all day and listen to people discuss the intricacies and merits of writing but I can’t seem, or rather don’t care, to follow most of it. Is it me or is it the conversation? Perhaps we’re discussing the wrong thing.

I realize as I leave class with my classmate, a fiery redhead with whom I share a common mindset, that whether I am capable of understanding what is said in class or not, all I really want to do is push those academic thoughts aside and live. We as “artists” spend so much time sitting around glorying in our shared trade, distilling its every process so that we can find a magical method to genius, that ultimately we fail to simply allow ourselves to feel. Everything needs to be intellectualized for some people. Everything needs to be put in terms that provide dictionary definitions of what is being done. I want to get away from that, but as the redhead and I walk along together all I can think to discuss is writing, unsure of what to say or how to share a congenial moment before we part ways. The last thing I want to discuss, especially after class, is anything related to literature or writing. I want to live and experience but somehow I find myself stifled.

Maybe that’s why I’m going to see my texting lady now, because she’s as far removed from writing as I can get right now. Even so, as I sit down on her couch maybe fifteen minutes after our exchange, I slip back into an old and familiar state of insecurity. We’re exchanging awkward conversation even though this is our third time together. Perhaps this is all we’re meant to be, which I am ok with. I want the companionship but I’m not quite sure if I want the commitment, but I am woefully inexperienced when it comes to hookups. It’s the same with another classmate. We share so much in common that it makes our times together very easy and enjoyable, but I still hold back. I want to wander around I guess, experience more, but still have that nice warmth of female companionship, most clear to me when I wake up pulled up close to one in bed. It must be that desire to live freely, without an explicit societal purpose. To just experience and enjoy, and then spill it out onto the page if possible to see what there is to discover. That is about as clear as I can get it right now. I’ll just keep plugging away.

Passenger

For the Intermittent Writer

333sound

Short books about albums. Published by Bloomsbury.

The Wink

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